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Earlier this week, Swatch presented its new Swatch × Guggenheim Collection right on the Grand Canal, in the heart of Venice – and moments was on site to witness the meaningful unveiling.

The presentation took place where art history and the present converge most intensely: at Palazzo Venier dei Leoni, home to one of Europe’s most important collections of modern art – the iconic Peggy Guggenheim Collection. The collection was introduced by Carlo Giordanetti, Creative Director of Swatch, together with Karole P. B. Vail, Director of Venice’s Peggy Guggenheim Collection. Both framed the collaboration not as a one-off partnership, but as the consistent continuation of a relationship that dates back to the early 1990s.

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Peggy Guggenheim Collection/Matteo De Fina ©
The Peggy Guggenheim Collection on the Grand Canal in Venice

Art for the Wrist – at the Place of Inspiration

The new collection comprises four models inspired by masterpieces of the 20th century: Edgar Degas, Claude Monet, Paul Klee and Jackson Pollock. Three of the underlying works come from the Solomon R. Guggenheim Museum in New York; one – Pollock’s Alchemy – is part of the permanent collection in Venice. This very transatlantic axis also formed the conceptual leitmotif of the evening. Giordanetti spoke of art for the wrist” that does not aim to reproduce, but to translate: colour, rhythm, movement – and time. A striking shared detail of all four watches is the elongated seconds hand, a subtle reference to the dialogue between the two Guggenheim locations.

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Awedis Cocyan ©
Carlo Giordanetti, Creative Director of Swatch, at the presentation on January 13 at the Guggenheim Collection

Four Works, Four Characters

At the centre of the presentation were the individual models, each interpreted in a very distinct way:

  • Degas’s Dancers captures the grace and dynamism of Degas’ ballet studies. Dial and strap focus on details – feet, tulle, movement – translating them into luminous shades of green and yellow.
  • Klee’s Bavarian Don Giovanni relies on graphic clarity and irony. A colour-changing date wheel and Klee’s characteristic lines make this watch one of the most playful models in the series.
  • Monet’s Palazzo Ducale is a direct homage to Venice itself. The motif of the Doge’s Palace appears impressionistically on the dial; under UV light, a fluorescent effect unfolds, reinterpreting Monet’s play with light and reflection.
  • Pollock’s Alchemy finally transfers the raw energy of abstract expressionism onto dial and strap – restless, dynamic, deliberately imperfect.

All models are made from bio-based materials and remain technically accessible by design: art as part of everyday life, not as a display-case object.

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Swatch ©
The four models of the Swatch × Guggenheim Collection

Karole P. B. Vail emphasised the shared philosophy behind the project: art should not become more exclusive, but more accessible. Swatch’s Art Journey initiative in particular makes it possible to translate works from New York and Venice into a new, unexpected form – without diminishing their cultural value. Giordanetti added that this collection marks a highlight for Swatch within the long-standing collaboration: four works, curated in close coordination with the museums, reinterpreted as wearable objects – true art for the wrist.

On the Pulse of Time

The evening in Venice was less a classic product presentation than a curated dialogue between art, design and time. The fact that the launch took place at the Peggy Guggenheim Collection lent the collection additional depth – and made it clear that Swatch is not about short-term effects, but about a long-term cultural narrative.

The Swatch × Guggenheim Collection is available worldwide online and in Swatch stores.


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