Shaun Killa creates architecture that feels out of this world

With projects such as the Jumeirah Marsa Al Arab, the Zamani Islands Residences, and the Wellness Hotel Leyja, Killa Design is redefining visionary architecture – an impressive combination of luxury, innovation, and design elegance.

Anyone familiar with Dubai knows how difficult it is to stand out from the abundance of new hotels and buildings. Killa Design manages to do this remarkably well. The firm’s latest projects, such as the Shebara Resort and the Jumeirah Marsa Al Arab, are also leaving their mark on the architectural landscape – striking, forward-looking, and always in dialogue with their surroundings.

The Shebara Resort on the Red Sea in Saudi Arabia is a prime example of this: organically shaped villas with reflective facades echo the dune landscape. Prefabricated in a modular design and equipped with a self-sufficient energy and water concept, the resort takes a stand for the conscious use of resources. The Jumeirah Marsa Al Arab makes a statement addition to Dubai’s skyline. Inspired by the silhouette of a superyacht, curved lines and generous glass surfaces combine impressive views with a light and space concept that blends the interior and exterior.

In a rocky gorge in Saudi Arabia, three hotels are currently being built under the Leyja Hotels brand, focusing on activity, mindfulness, and nature experiences. The architecture follows the topography and avoids causing too much of a disturbance, creating quiet, meditative spaces between the rocks and the sky. 

The solar-powered Zamani Islands resort is currently under construction in the Maldives and is scheduled to open in 2026. The wave-shaped roofs collect rainwater, provide shade, and combine function with form – simultaneously elegant and resource-efficient. These projects show how modern hotel architecture can respond to ecological and cultural requirements without compromising on design, atmosphere, or experience.

moments: Your new project, Jumeirah Marsa Al Arab, is located right next to the legendary Burj Al Arab. How are you managing to create your own identity in this environment?

Shaun Killa: The biggest challenge was to do justice to one of the world’s most famous architectural icons – the Burj Al Arab – while creating something completely new. Our vision was to complete the architectural narrative along the coastline: from traditional to futuristic.

The design language of the new building is reminiscent of an elegant superyacht setting sail – dynamic, flowing, and full of grace. Using state-of-the-art software and innovative construction methods, we were able to create double-curved shapes that suggest movement and sophistication. Through the precise analysis of sightlines and GPS positions, we ensured that the iconic view of the Burj Al Arab is not compromised, but instead emphasised.

For me, architecture is not just about function, it is about creating experiences that leave a lasting impression – through spaces that are interwoven with care, sensuality, and landscape.

Which area of the resort is your personal favourite – and why?
I am particularly proud of the dramatically staged entrance area beneath the hotel’s striking arch. Unlike many classic hotel approaches, guests arriving here are greeted by a perfectly framed view of the Burj Al Arab – a moment that immediately captivates and orients them. This architectural prelude is not only functional, but also a promise of the entire experience.

How are sustainability and luxury compatible at Jumeirah Marsa Al Arab?
Sustainability has been an integral part of the design from the outset. The continuous balconies serve as natural shading, reducing cooling requirements by up to 40%. The lush landscaping is irrigated with recycled grey water, green roofs reduce the heat island effect, and all technical systems are designed with energy efficiency in mind. Our philosophy: luxury must not compromise environmental responsibility – this applies to all our projects at Killa Design.

Your resorts are often located in ecologically sensitive regions. How does this influence your way of working?
Whether in Saudi Arabia or the Maldives, we build for extraordinary natural backdrops without disturbing them. The villas at the Shebara Resort were prefabricated offshore and delivered as finished units to protect sensitive ecosystems such as coral reefs and nesting sites. In Leyja, 95% of the landscape remains untouched – the architecture views itself as a continuation of the wadi, not an intrusion.

How does local culture flow into your designs?
Every project begins with a deep immersion in the culture and nature of the place. At Shebara, the layout of the villas is inspired by a string of pearls – a powerful symbol of maritime tradition. The Zamani Islands, on the other hand, follow the natural rhythm of lagoons, wind, and currents. And in Leyja, reflective facades mirror the shapes and colours of the wadi – a silent homage to the location that also forms part of the design.

Leyja combines luxury with unspoilt nature. How do you achieve this balance?
We wanted to create architecture that takes a step back – both visually and ecologically. Buildings that blend into the landscape, with reflective surfaces and natural materials. Interiors that offer luxurious retreats with a focus on wellness, views and sensuality. True luxury lies in harmony with nature.

You start projects with a ​‘feeling’. How do you reconcile intuition with technical precision?
Every idea starts with an emotional impulse – light, location, mood. However, this instinct is then combined with technology. Modern tools enable us to realise fluid visions with the utmost precision. This preserves the soul of the design without compromising on function or sustainability.

Your architecture often has an emotional impact. How do you achieve this effect?
We design experiences, not just spaces – through light, proportion, and materiality. A well-placed view, a touch of stone or fabric, a change in scale – all of this creates resonance. The goal is to create spaces that stand the test of time.

What is the biggest challenge in sustainable luxury design?
Striking a balance between sustainability and aesthetic opulence. But that is precisely where the opportunity lies: the future of luxury is sustainable. And it doesn’t have to look like sacrifice – quite the opposite in fact. 

What role will technology play in the architecture of the Middle East in the future?
A central one. Buildings such as the Museum of the Future would be impossible without digital tools and parametric design. Yet technology never replaces the human touch – it expands our possibilities, but does not replace intuition, emotion, and ideas.

Do you consciously question existing norms?
Absolutely. Our profession obliges us to do so. Shebara, for example, is a zero-emission resort with off-site construction, fully renewable energy, and sensitive integration. Projects like this show how differently luxury can be conceived today.

How do you keep your vision consistent across national borders?
Our work is global, but always location-specific. Whether in Dubai, Africa, or on islands – we start every project with the question: What story does this place want to tell? Everything else follows from there.

What role does teamwork play for you?
Teamwork is what drives us. We work across disciplines, hold internal design competitions, and encourage open criticism. Everyone, from interns to design managers, contributes their own perspective. Added to this is our team culture: we sail, run triathlons, and share experiences. This strengthens trust – and creativity.

Are there any specific details you are particularly proud of?
Two: the Museum of the Future with its calligraphic façade that combines culture and innovation – a monument to possibilities. And the great arch of the Jumeirah Marsa Al Arab, which not only impresses structurally, but also creates a magical moment when you arrive.

How do you keep your creativity alive?
Through curiosity. I travel a lot, sketch constantly, and draw inspiration from art, history, and nature. Sailing has strongly influenced my design language – the interplay of light and curves, the feeling of movement. And sometimes creativity begins with the courage to start all over again.

What role do travel, art, and culture play in your work?
A central role. Every journey broadens my horizons, every work of art opens up new ways of thinking. This creates spaces that are connected to both the place and the people – subtle, sensual, unmistakable.

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