Atelier Vierkant in Milan: Ceramics as an Integral Part of Space

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During Milan Design Week 2026, Atelier Vierkant presented “Archae & Petrae,” demonstrating how contemporary ceramics can be conceived beyond the classic vessel — as surface, structure, and an integral part of landscape environments.

In the halls of Rho Fiera, the Belgian family-run company concentrated on existing fundamental shapes, including the DT and IRIS models. The focus was not on the form itself, but rather on its evolution. The color palette remained minimalist — white, gray, and muted green. The surfaces were particularly striking: irregular, partially raw, with visible traces of the firing process. The pieces felt less like mass-produced items and more like materials with their own unique history. Perfection plays no role here; what matters is the texture.

Atelier Vierkant Iris2 — ‘Iris’ by Atelier Vierkant

Atelier Vierkant Iris — ‘Iris’ by Atelier Vierkant

Petrae: Collaboration with Gerhard Zemp

With “Petrae,” showcased at the Paola Lenti showroom in the Maciachini district, the focus shifted. Here, Atelier Vierkant collaborated with Swiss landscape architect Gerhard Zemp. Zemp brings his expertise at the intersection of architecture and vegetation to the table. Ceramics are no longer thought of as mere containers but as components of a spatial structure. The works on display function as seating, boundaries, or landscape elements. The sculptural benches, in particular, exemplify this approach: clearly designed, yet echoing natural rock formations in their visual impact. A key aspect is outdoor utility. Weathering and natural growth are intentionally considered. The objects evolve over time, reacting to their environment.

Janus: Transitions

The “Janus” model bridges both approaches. Smooth surfaces meet raw sections. It is less about contrast and more about transition. This reflects the studio’s evolution: moving from the object toward spatial application. In the context of Milan Design Week, the presentation stood out for its restraint. No grand staging, no special effects. The focus remained entirely on material, surface, and application.